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Il Potere e la Grazia: I Santi Patroni d’Europa

Power and Grace: Patron Saints of Europe

Leonardo's John the Baptist

The Palazzo Venezia has had an art exhibit running this month displaying various art forms depicting various saints of Europe, including on loan from the Louvre Leonardo da Vinci’s John the Baptist. A small group of us from the Lay Centre decided to go on the penultimate night of the exhibit, which was free and open until midnight.

The display was organized into rooms depicting the progression of sainthood around the needs of the times and the kind of saints honored, starting with biblical figures, then martyrs, monastics, confessors, theologian-bishops, founders of orders, the ‘military saints’ (George, Michael, etc), royalty, and those martyred in the struggles of church (grace) and state (power), such as Jean d’Arc or Thomas More.

The art chosen focused on those who were patron saints of the nations of Europe, and from a variety of media: icons, stained glass, sculpture, carving, oil on canvas, illuminated manuscripts, even old black and white films.

Madonna with Catherine of Siena, Rose of Lima, and Agnes of Montepulciano (Giambattista Tiepolo)

Did you know that Europe, as a continent, has six patron saints? Three male and three female, three from the first millennium and three from the second: Benedict of Norcia, Cyril and Methodius of Thessalonica, Birgitta of Sweden, Caterina of Siena, and Teresa Benedicta of the Cross (Edith Stein). Each nation then has its own patron saint(s) – some with as many as 10!

Dimitrios and I finished some time before the others, so we had a chance to discuss the exhibit, the nature of Greece’s concerns with the name chosen by the Former Yugoslav Republic of Macedonia, and apophatic gelato – which prompted a debate about the distinction between that and kataphatic gelato, scholastic gelato, and postmodern gelato. Needless to say we took a detour to La Palma when Kassim, Greg and Karina joined us!  

As it turns out, we were not the only ones who waited till the last weekend to go: Pope Sneaks Out of Vatican to Visit Exhibit

The Church of Rome

 Every Wednesday brings a guest presider with a normally brief presentation during and after dinner. This week was an opportunity to get a better look at the Church of Rome, from some excellent authorities.

Monsignor Nicola Filippi, Secretary to the Cardinal-Vicar of Rome

Our presider was Don Nicola Filippi, ordained a presbyter of the diocese of Rome in 1995 and named a Chaplain of His Holiness (the lowest grade entitled “Monsignor”) in 2005, he serves as secretary to the Cardinal-Vicar of Rome, Agostino Vallini. Princess Gesine and her husband, Deacon Masimilliano, of the Doria Pamphilj family, joined us as well. Don Masimilliano and Donna Gesine are friends of the Lay Centre and were our generous guides when we visited the family palazzo/galleria last month.

Vested for the liturgy, Don Nicola is the very image of a classical Roman senator, and I think will be a bishop himself in the next decade. Two interesting liturgical observations: there are very few deacons in Italy, I think Masimilliano is one of only two in the suburbicarian diocese where he is incardinated, so it was clear there is room for a more robust development of their role. Also, since communion under both species is not as common in Italy as it is most places in Europe and North America, Monsignor Filippi chose to serve communion by intinction, I think as a kind of pastoral compromise between his custom and ours, which was a first for me.

The Church of Rome, the diocese itself, is an interesting reality. Their diocesan bishop is the pope, and yet, as Father Nicola said, “Rome is Rome, and the Vatican is something else entirely. That’s the other side of the Tiber.” Some of the pastoral and administrative issues sound not all that different from home!.

Deacon Don Masimilliano and Donna Gesine Doria Pamphilj

There are about 2.5 million Catholics in the diocese of Rome, and it includes 330 parishes, plus the other 600 or so churches, which are chapels, stations, oratories, or shrines. Though the bishop of Rome is Benedict, Cardinal-Vicar Villani is the ordinary for almost all intents and purposes. He is assisted by seven active auxiliary bishops, one as a kind of vicar general to the Cardinal-Vicar (who is technically the vicar general), five lead regional vicariates, and one is responsible for hospital ministry. The diocesan website lists 1215 diocesan clergy, 1917 clergy from other dioceses, 4800 religious clergy, 124 opus dei clergy, 2050 lay religious, and 1050 lay staff*. (These numbers include retired clergy, I think, and the website also counted all the cardinals, and over 1200 bishops who are probably curial staff and diplomats.)

Compare that to Seattle, with 578,000 Catholics, including 3 bishops, 294 diocesan clergy, 32 clergy from other dioceses, 96 religious clergy, 486 lay religious, about 800 lay ecclesial ministers and 1393 lay teachers. Rome has less than 5 times as many Catholics, but more than 21 times as many clergy, and half as many lay staff*.

*Lay staff listed for Rome included faculty of the pontifical universities, members of commissions and consultors to dicasteries, as well as actual paid staff in Roman offices – virtually no lay ecclesial ministers as we know them in the States.

Only about 40%-50% of the children born in Rome are recorded as being baptized, and there are only about 80 or 90 catechumens each year, though Fr. Nicola indicated that a large number of families may take their children outside the city, and thus to other dioceses, for baptism so it may not be quite as low as that looks.

He spoke about a questionnaire the chancery had been trying to get parishes to fill out regarding pastoral planning, evangelization and sacramental life, and only about 2/3 of parishes responded (I thought this was pretty good, actually). When the Cardinal started visiting pastors who had not sent the response in, one of the first said, “oh, yeah, we forgot about that. I’m sure it’s here somewhere…” and then proceeded to produce the previous year’s questionnaire, still in the original envelope.

As I am sure you have heard, though Italy is nominally 90% Catholic, very few people are very active in the life of the church. For most, it is where you go to get baptized, married, and buried. Just last night a classmate was telling me how, on his first Christmas in Rome, he attended a popular parish nearby and could not find a seat 20 minutes before mass began, and the church was filled with young people. But then, as the opening hymn began, mobile phones came out of pockets to take pictures and he heard several people calling their mothers, “yes, mama, I’m going to church. See, I’m sending you a picture!” Then they left. By the time of the opening prayer, my friend had no problem finding a seat.

Lateran Archbasilica and Palace; Cathedral and home of the diocesan chancery of Rome

One of the responses that has been very popular in Italy, and in Rome especially, are the lay movements. Whereas the U.S. has seen a greater development in the area of parish life and in lay ecclesial ministry, here there is almost the sense that if you are really serious about your faith you do not go to your parish but spend your time with the movement. Two of the largest in Rome are the Charismatic movement and the Neochatechumenate Way. (I would have guessed Sant’Egidio, Focolare, or Communione e Liberazione).

Unfortunately, some of the biggest problems for the Catholic Church of Rome come from these movements. Poor catechesis, insufficient theological education of the clergy, and the creation of a parallel church to the diocesan-parish structures were all cited as serious issues among the diocesan leadership. The dichotomy of spirituality and theology, so typical of the “classical” western Latin tradition, is noted especially in the Neocatechumate Way with an emphasis on the spiritual and too little attention on the theological. They are also having a challenge with the high number of non-Italian priests coming to serve the communities here, without adequate cultural formation and preparation for the life of the Church in Rome.

This was one more reminder of how slowly my Italian is coming, too, so prayers for that please! I would like to have asked about lay ecclesial ministry in Rome. Next time!

Buongiorno, Princepessa…

 

Caravaggio's Rest During the Flight to Egypt

Caravaggio's Rest During the Flight to Egypt

The Galleria Doria Pamphilj is housed in one of the palaces of the Doria Pamphilj family, and just a couple short blocks from the Pantheon, on the Via del Corso in the heart of Rome. Not to be confused with their other Palazzo Pamphilj, which takes up half of the western end of the Piazza Navona, and is now the Brazilian Embassy. Nor the giant Villa Doria Pamphilj not far to the south of the Vatican, in Trastevere, which is second only to the Villa Borghese in size.  of course, all this gives you a sense of the scope of wealth and power wielded by this Roman aristocratic family in the last millennium and more. The beauty of the art inside is an even grander testament to a family that has included popes and princes of Rome, and which, according to Roman legend, is descended from the poet Virgil, no less.

And what better way to tour such a place than with Princepessa Gesine and her husband Don Massimiliano?

Diego Vasquez' Innocent X

Diego Vasquez' Innocent X

Don Massimiliano, who is a Deacon in one of Rome’s suburbicarian Sees, led the tour of the estate, pointing out several of the more well known artists and pieces. There is, for example, Caravaggio’s last work with any kind of landscape, Rest During the Flight to Egypt, or the famous Portrait of Pope Innocent X by Diego Rodriguez de Silva y Velázquez (upon seeing it, the pope is said to have exclaimed, “It’s too real!”). You can see some of the pieces at the website.

We went through the family chapel, complete with an extensive reliquary and a semi-secret passage to a private observation booth in the adjacent Church where the noble family could observe the elevation of the host without mingling with the masses. Pun intended.

After the tour, the princepessa and her husband provided welcome hospitality in the family room – complete with antique furniture, marble fireplace, and genuine oil-on-canvass portraits of Donna Gesine’s family going back three generations! We have invited them to the Lay Centre to return the favor, and though we have some decent art – including an original sketch of the Council Fathers at Vatican II – ours is a humble abode by comparison!

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